Dacia Dyer takes us back to Scotland in her second romance novel, Love’s Road Home. With her typical strong-willed woman meets strong-willed man take on romance, Dyer gives us a set of characters that give as good as they get.
I enjoy the way Dacia writes and find her take on romance novels to be lovely and pure rather than trashy or vulgar. Love’s Road Home was a fun light read, excellent for beach, pool or rainy afternoon reads. While she doesn’t classify her novels as YA, they are an excellent intro to romance novels for teens.
Oh boy, it’s been a while since I’ve visited the blog. Between working, running my Pilates studio and homeschooling the minion, life’s been crazy busy. I’ve been reading daily, but finding time to share thoughts has been slim pickings lately.
So where do you find new books to read? In the good old days, I’d spend ages browsing in the library, sifting through books by size, color, cover art, title, and interesting first pages. Since getting a kindle, I’ve depended on recommendations from friends and whatever looks interesting on Kindle Unlimited. A few friends have recommended Good Reads, but I have such a hard time using that platform, it doesn’t feel fun or natural.
Amazon First Reads has been awesome to get a free book every month, but I noticed I’d collected a ton of unread books from the program, so 2021 started off with a deliberate effort to read every free book I’d downloaded in 2020 BEFORE buying/downloading any new books.
So let’s start 2021 with where we left off in 2020…Meg Elison. The author of The Unnamed Midwife, which I absolutely hated, wrote another book called Find Layla which found its way into my reading queue via Amazon first reads.
Written for a YA audience, Find Layla follows fourteen year old street wise and book smart Layla Bailey as she navigates her mother’s mental illness and the subsequent neglect, abuse, and responsibility as she ekes out a delicate survival for herself and her six year old brother, on top of the usual school bullies and teenage angst. All of this takes place within the realms of Layla’s science obsession and under the microscope of social media and the twitter’s sphere.
While Elison starts out strong and the reader develops a genuine concern for Layla, this book suffers from the same over emphasis on trauma, gaping plot holes, and lack of character development as The Unnamed Midwife.
For me, the plot holes are always the biggest hang up. In Finding Layla, the plot holes and lack of character development go hand in hand. To start with, Layla’s mom was very one dimensional. She was the evil mother with poor hygiene, poor social skills and completely incapable of caring for herself or her children. But what wasn’t explained was how she got that way. We see how the mother’s affliction affects Layla and her brother, Andy, but there’s never any background for how things got to where they were.
Was the mother a drug addict? A hoarder? Some other mental illness? How did she manage to have relationships that produced children? How was she able to care for the children as babies? How was she able to get, keep and maintain jobs seemingly easily over and over in new places with her poor hygiene and lack of social skills? Without these answers, the book never really fleshes out.
Layla’s best friend and classmates are equally lean characters. They are stereotypical “mean girls” that really push the limits on terrible behavior. While I know bullying exists and is infinitely worse with social media, the way Elison portrayed it here just felt completely over the top. It would have been nice to see a little more complexity and depth in the teenage characters to help round them out a little bit.
The adults in the book are as stupid and ineffective as the teenagers. This creates a continuing plot hole, leaving the reader wondering how so many adults could fail to respond, particularly when the situation for Layla and Andy is so dire and so very apparent to anyone in contact with either child.
Layla herself is the most developed character, but even she falls flat, particularly when the plot depends on the depth of another character, which just isn’t there to support her.
One thing I strongly dislike about Elison’s writing is her complete dependence on trauma to keep the reader engaged. Whenever a plot thread starts to unravel or get tangled, she throws in a heavy dose of extreme trauma. This was the same plot device she used to propel The Unnamed Midwife. The trauma portions of the book are incredibly well done. They’re graphic, evoke strong emotions and trigger the part of the brain that can’t stop rubber necking at a car crash. Unfortunately that doesn’t make for high brow reading and I found myself thoroughly disappointed at the amount of time I’d spent on another of Elison’s books when this one ended.
This one has 4.5 starts on Amazon right now, and close to 3,000 ratings but only 439 actual reviews. I was actually surprised by the lack of written reviews, considering how many ratings the book has.
Sorry for another negative book review. Those somehow seem easier to write and it seemed fitting to pick up where we left off on the last update. I have read some truly great books this year, so can’t wait to share those!